disney wall paper taiwanese animationist juan

#Disney wall paper taiwanese animationist juan movie

Catmull earned, according to Pixar regulatory filings. He is, by far, Pixar's highest salaried employee, earning $2.9 million in salary during 2004, more than five times as much as Mr. Lasseter has reaped the rewards of Pixar's success.

#Disney wall paper taiwanese animationist juan movie

Lasseter pitched 'Toy Story' to Disney, and the two companies ended up making the movie together, according to people familiar with the situation.Īlong the way, Mr. Lasseter helped to establish a relationship with Disney in 1991, from which came some of the most memorable and successful films of the past decade, including 'Finding Nemo' and 'The Incredibles.' Jobs acquired the Lucasfilm computer-animation group in 1986 for $10 million, renaming the new company Pixar, Mr. Catmull will become president of the new Pixar and Disney animation studios as a result of the deal.Īfter Mr. Lasseter did groundbreaking work with other members of the computer-animation team at Lucasfilm, including Mr. That attitude and what he saw as the declining quality of Disney's animated films prompted him to leave the company in 1983 for a job at Lucasfilm Ltd., the Northern California movie-production company run by George Lucas.

'There just wasn't an interest in pushing the technology of animation,' Mr. Lasseter was put off by Disney's belief that computers could primarily be used to save money during the creation of animated films. While he was thrilled by the artistic possibilities that computer animation seemed to open up, Mr. He was dazzled by the groundbreaking computer-animated special effects in the movie, and he helped to persuade Disney to do a short test film that combined hand-drawn animation with computer generated backgrounds. Lasseter came during early screenings of the dailies from the Disney science-fiction movie 'Tron,' released in 1982. He went to work for Disney in the early 1980s, helping to animate movies like 'Mickey's Christmas Carol.'Ī turning point for Mr. Lasseter, just out of high school, enrolled in a new character-animation program at the California Institute for the Arts in Valencia, along with classmates that included the director Tim Burton.

Inspired by the cartoons he loved as a child, Mr. 'It's really Disney blood throughout my veins,' Mr. His affinity for the company began during his childhood in Whittier, Calif., a half-hour from the Disneyland theme park in Anaheim, where he worked as a youngster operating the Jungle Cruise. Lasseter's advantage lies in the fact that he has remained a familiar face at Disney even while Pixar was on the rise. He will likely face insecurities all around, both from Disney animators who may feel usurped by the transaction, and from Pixar employees who fear their small-company style will disappear. Going forward, he faces a tougher assignment: keeping Pixar on its long box-office winning streak while helping Disney return to its past glory in the medium it helped to pioneer. Lasseter is also deeply involved in overseeing the production of films by Pixar's stable of in-house directors.

Lasseter directed and helped write the script for 1995's 'Toy Story,' the first Pixar feature film, and its next movie, 'Cars.' Lasseter, 49 years old, is widely recognized as one of Pixar's most valuable assets, credited with helping to turn the company into a powerhouse in computer-animated films through his emphasis on compelling storytelling rather than bland technical wizardry.